
Mad Sq. which launched in theatres on March 28, 2025, has been faring exceptionally nicely on the field workplace. The comedian caper that stars Narne Nithiin, Sangeeth Sobhan and Ram Nitin garnered constructive evaluations, and the phrase of mouth additional helped the movie to carry out fantastically on the ticket window. Directed by Kalyan Shankar, Mad Sq. had grossed round Rs 69.2 crore on the field workplace. In abroad too, the movie crossed a million in simply three days. Commerce consultants remark that it is a exceptional feat for a movie that doesn’t have any superstars. But, the quirky content material, slapstick comedy and sweet floss humour quotient labored within the movie’s favour huge time. The movie’s producer Naga Vamsi thanked the viewers for his or her love they’ve been showering on the movie
“One of many greatest belongings for the movie is its writing. The best way the movie was written, and the way the characters unfolded because the narrative progressed was in a position to strike the chord on the field workplace,” he expressed, including that the audiences have proved but once more that also they are open to welcome content-based movies. Nevertheless, there have been some stories that expressed uncertainty in regards to the movie’s efficiency on the field workplace. Naga Vamsi expressed disappointment that regardless of the movie being appreciated by the audiences, destructive stories on social media are unlucky.

“If the collections introduced had any deviations from the precise numbers, I problem everybody to show me flawed. When the audiences are having fun with the movie within the theaters, why be so important,” he asks, acknowledging that Mad Sq. is a no brainer and devoid of all logic. “It’s a enjoyable movie and it’s pointless to attempt to discover logic in such movies.” Set in Goa, the movie celebrates friendship and camaraderie by a whirlwind of comedian misadventures. The movie retains the audiences entertained with vibrant humour and fascinating performances of the lead solid.
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